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Kelly Girl by Wanda: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart
Posted by: Admin on Sunday, January 25, 2004 - 07:49 PM Printer Friendly
"I told everyone!" Kelly insisted. "No one believes I'm a boy."

Big finish! Three chapters at once!
24. Dixie Cup Love
25. Floop or Consequences

26. Desert of My Heart


Kelly Girl 24

"Dixie Cup Love"

The three taller girls sat with Kelly on the bus bench at Bristol and MacArthur. The fading summer turquoise of an early evening sky in Southern California promised a gorgeous sunset. Valerie, the slender brunette, sat half turned around to watch the western sky. Flotillas of birds had begun seeking their rest; seagulls heading toward the shore from a hard day at the landfills; crows heading from shopping malls and athletic fields toward Disneyland where the myriad trees provided safe nesting for ebony scavengers.

Valerie felt a little sad; the adventure, such as it was seemed to be winding down. She felt glad to have helped Kelly's Aunt Connie get away from the police safely, and didn't feel at all guilty. Even if a crime had been committed, no one had really been hurt, so that made it all right, didn't it?

Crystal's golden head leaned toward Kelly's hot pink wig. She'd been straining to hear both ends of the phone conversation between Kimberly and Richard Mann but with the phone held between Kelly and Kim, she hadn't heard much. She rested an arm across the back of the bench and as Kim ended the call, Crystal impulsively pulled Kelly into a quick hug. Kelly was a strange one, letting almost everyone think she was a boy all during school last year, but Crystal liked her anyway. She looked so tiny and cute, it was hard to believe Kelly was the same age as the other girls, twelve.

In fact, Kelly was second eldest, with a birthday in March, Kimberly's in January, and Valerie's in April. Though youngest with a July birthday, Crystal had the most curves; she, like the other girls assumed Kelly's meager bosom had simply sprouted since school let out three months ago.

Kimberly closed her phone, satisfied that she had handled the task of calling for Kelly's rescue with adult competence and cool. She stifled her giggles at Kelly's outburst at what she had said to Richard about Kelly waiting for him.

She nodded, her crisp bright red curls bouncing with the decisive movement; Kim loved getting things done and doing them well. Helping Kelly and Connie escape South Coast Plaza had been quick, thrilling, and a tiny bit naughty, a perfect escapade to spend hours dissecting with her girlfriends later. She wanted to squeal with delight but settled for a grunt of accomplishment though her gray eyes sparkled and even her freckles seemed ready to dance.

Kelly returned Crystal's hug and nodded at Kim. He'd been worried when the three classmates had found him in the mall but they had somehow convinced themselves that he had always been the girl he now seemed. Everyone's willing acceptance of his masquerade had begun to wear down his doubtful resistance. He felt relaxed around the three now, comfortably sure they weren't going to treat him like a freak or a pervert, as long as they didn't know. And he certainly had no intention of telling them, he'd even improved his masquerade himself with the purchase of a padded bra.

He wanted to squirm and squeal; hope, anxiety and relief mixed in nearly equal proportions. He'd never really had friends his own age before but now six of his classmates had met him in his girl disguise and demonstrated their friendliness. A flash of memory warmed his cheeks--kisses from Jimmy and Tommy on top of Triangle Square--had that been only this afternoon?

Kelly opened his other arm to Kim and she and Valerie both joined the triumphant, giggly hug. "Thank you for making the phone call," he whispered to Kim. He'd wanted to talk to Richard himself but hadn't dared.

Kimberly smiled. "You're welcome. He sounded really nice. What was it you didn't want him to think?"

Kelly squirmed a bit. "I don't know, you made it sound like...I was real anxious, I guess?"

Kim grinned. "He's got a deep voice. Is he a big guy?"

"Um, yeah? He's about six feet tall." For some reason, Kelly didn't want Kim admiring Richard, even over the phone.

"How old is he?" asked Valerie, who liked tall boys, too.

"Uh, fourteen."

"Wow, he is tall, for fourteen."

"The perfect age," commented Crystal.

Kelly frowned, "How do you figure?"

"When you're a freshman, he'll be a junior and he can take you to all the really cool upperclass dances at school. Then you get to go again when you get to be upperclass yourself while he's away at college," Crystal explained with crystalline logic.

"Besides," added Valerie, "he'll have a car by then and boys our age are always stupid."

"Uh," Kelly shook his head. "He's supposed to be my...I mean, he's going to be my step-brother?"

"Oh, well," said Kim, "Then you can introduce us to him." The three friends giggled but Kelly frowned.

"Oh ho!" said Crystal.

"Huh?"

"You like him?" asked Kim, as quick to pick up on Kelly's expression as Crystal had been.

"She likes him," agreed Valerie.

"I guess I do," said Kelly, wonderingly. Then slapped his hands over his mouth to stifle more giggles.

* * *

Harold closed his phone, looking at Barbie whose eyes seemed to have grown two sizes. "They found her?" the tiny blonde whispered, repeating what Harold had just said. Then she corrected herself, "Him. They found him?"

Harold nodded. "Yup, the boys were nearly to the airport when she called Richard. Or someone called Richard for her. She got away from the kidnapper, apparently, they're going to pick her up then come back and get us."

Barbie shook her head. "You keep saying 'her', Kelly is a boy."

"I'm sorry. You're right, I mean, of course, you are. But, uh, Richard thinks Kelly is a girl."

"I don't care what he thinks," said Barbie, a little cross. "That's just because Andie dressed Kelly up for some goofy reason."

Harold stood quietly for a moment. The long galleries of John Wayne Airport stretched away from them on both sides, full of bustling people going and coming and sparing only a glance now and then for the tall, handsome, dark-haired man and his diminutive, pretty, green-eyed companion. In front of them, tall windows opened on the lower automobile concourse. They'd been staying in the air conditioning rather than wait for the boys out in the sticky heat of an August evening.

"You know about Andie," Harold said, not asking.

"Yes," said Barbie. "She told me. But Kelly's not like that." Andie had confessed her own transsexual past to Barbie months ago when Barbie had told her rich friend about having thrown out another boyfriend over calling Kelly a sissy.

Harold said nothing, but he put his large, comforting hand against Barbie's back. She leaned into his touch, sighing. He glared at a passing teenage boy who couldn't help staring at Barbie's recently augmented bosom. He probably thinks she's my daughter, Harold realized. Barbie still looked pretty much like a teenager herself, a small one. Maybe that's why she wants to have double-dee breasts, Harold wondered, so people will stop treating her like a child.

Barbie sighed again. "I wish the boys had stopped for us, but it was right that they go on. Pickup Kelly first, I mean."

"We could get a cab?" offered Harold. Outside the windows, Elise Fremont had just pulled her green-checked taxi into the queue to wait for a new fare after dropping Andie off at South Coast Plaza. Neither Harry nor Barbie knew Elise, of course, or knew how the middle-aged cabdriver's life had intersected their own already, however obliquely.

"No," Barbie decided. "We might miss them. You get people running in all different directions looking for each other and things go wrong. We'll wait here." But she put the side of her hand in her mouth and chewed on it nervously. She never chewed on her nails anymore but her substitute activity looked a bit odd to Harold. She grinned at him around her hand,"You'd think I'd be better at waiting, I'm a waitress.

Harold smiled at the feeble joke. "Kelly will be all right," he said, pulling Barbie over to lean against him.

"I know. Phil would never have hurt him," she murmured. "But I still don't think Kelly is like Andie," she added. "Wouldn't I know? Am I really that dumb?"

Harry didn't answer that, choosing instead to kiss her on top of her blonde head.

She giggled and craned her neck to look up at him. "Tell me I'm not stupid."

"You're not stupid," he said. "You're Kelly's mother. I don't think my parents had Andie figured out when they died, it's harder for a parent to see stuff like that than for anyone else."

* * *

Pete spotted the little girl in the burgundy slacks as soon as he turned onto Bristol. "Is that her? How come her hair is pink?"

"I dunno," said Richard, but before they could speculate more, Kelly turned and waved at them.

"It's her!" they both shouted. Pete jackrabbited to a shuddering stop at the curb and Richard jumped out of the car before it stopped moving.

"Kelly!" He grabbed her around the waist and swung her high into the air, laughing.

"Richard!" she squealed in delight and terror. "Put me down, you goof!" She laughed, kicking her feet as Richard pulled her into a hug.

Watching from across the street, Valerie nodded to her two friends. "Yup, she likes him." Crystal and Kimberly nodded and giggled.

"How did you get away?" Richard was asking her.

"Why is your hair pink?" Pete asked, having raced around the car to try to take a Kelly handoff from his brother..

Kelly laughed again; they were all three laughing like red-headed loons. She hugged both of them when Richard put her down. And she didn't slap either of them when they each kissed her on the cheek.

* * *

Lt. Bartolo Mendoza spoke laconically into the police mobile. "Yeah, uh huh. Okay." Andie watched and listened in a mix of boredom and anxiety. Nothing seemed to be happening. She wished she had her cellphone so she could call someone. She wished she had her car back so she could go somewhere. She wished most of all that she knew that Kelly was okay, that crazy Phil Constable had not harmed his 'daughter' and that Kelly could get out of all of this without revealing any secrets.

Mendoza watched her while he spoke to his headquarters. The fading light twinkled off of her multiple piercings; he could see the jewel-colored snake she had tatooed around her neck. Her long legs looked deliciously slender in her peach-colored slacks. A circle of tattoed charms showed at her left ankle and a vine twined around her right wrist. Bartolo wanted to see whatever tattoos her clothes might be covering, he wanted to trace them with his fingertips, taste them with his tongue.

Andie's tongue touched her pink lips, toying with her piercing there, all unknowing of the synchronicity with Bartolo's thoughts. He groaned and she looked up at him and he said into the phone, "No, I'm okay, just....gas." He hung up. "They found her," he said to Andie. "Your nephews found her walking up Bristol Street." He waved vaguely northward. "They're taking her to the airport to her mother."

Andie shrieked wordlessly and kissed him. Her car having been impounded, Lt. Mendoza was happy to give her a ride to her brother's house in Newport Beach, later. After he had asked her for a date, after she had considered what she would tell her boyfriend Tony and after she had accepted because he had asked three times. She wondered what she would say to her boyfriend, Tony, about this and decided she wouldn't tell him.

* * *

Kelly had discarded the red wig in the car and exited the back seat like a platinum-headed torpedo when he spotted his mother coming out of the airport terminal doors. They matched; Andie had intentionally used the same color on Kelly's hair as she had previously used for his mother.

"Barbie!" Kelly shrieked.

"Omigod!" squealed Barbie as the two tiny blondes collided. The Manns loomed over them, three grinning hulks, while the two pretty, doll-like figures danced and hugged and took in each other's appearance at arm's length.

"You've got boobs!" Kelly said, astonished at his mother's new C-cups. He didn't mention the expensive jewelry, shoes and clothing. And he wasn't sure he liked Barbie's new sexier look just yet but he was too happy at the moment to worry about it.

"So do you!" laughed Barbie, poking Kelly in his padding. "Omigod! Kelly, you're gorgeous!" She still didn't think it had been one of Andie's better ideas but looking at Kelly was like seeing her own younger self, a very odd thought.

Harold couldn't believe it. Kelly might be an anatomic boy, but this child had been born to be this beautiful. The thunderbolt of love and lust for Barbie he had felt before had a new companion; Harold had fallen just as suddenly in love with the idea of Kelly as his new daughter. She was so pretty, so irresistably a miniature of Barbie, it shook him and thrilled him and gave him a moment of unaccustomed anxiety. He felt intensely protective, something he hadn't felt since Richard had pneumonia six years ago. Whatever happened now, he must be sure that these two were safe and had every opportunity to be happy that he could give them.

At that moment, just as suddenly as their laughter, Kelly and Barbie simultaneously burst into tears. The Mann brothers grins turned stricken but their dad only laughed, a bit relieved. He knew how to handle feminine tears and Barbie and Kelly were not crying because they were unhappy. "Let's get them into the car and take them home," he shouted boisterously.

It would be some while before Kelly and Barbie had time and solitude for a mother and son reunion.

* * *

Grant Walker filed his story about a kidnap in Triangle Square and a manhunt in South Coast Plaza, about the rescue of a little girl and her return to her loving family. He'd gotten Phil's name from some police informer and described the short man with the pale hair and bright eyes as an ex-convict who was "wanted for questioning." He resented the fact that he hadn't been able to interview the little girl or her mother but he did learn that Barbie Drew was the girlfriend of Dr. Harold Mann, one of Newport Beach's famous squadron of plastic surgeons. He didn't mention either Barbie or Harold by name, but kept the information for future use.

A three-state police bulletin went out for Phil, five-foot-three, one hundred fifteen pounds by his prison records. Age, mid-forties but appears much younger. Blond hair, blue eyes, wears prescription glasses for astigmatism to drive. Assumed to be armed with knives and a veterinarian's humane killer but not considered violent; approach with caution. Wanted for questioning by Costa Mesa Police and California State Parole Authority in connection with charges of kidnapping, carjacking, assault, vehicular assault, theft and parole violation.

* * *

"Kelly is beautiful," Harold told Barbie when they were alone later.

"Hmm," said the little blonde. She took off her gown and hung it up carefully.

"She's the very image of you, I know what you looked like at that age now."

"He," Barbie reminded him. "Kelly is a boy." Barbie kept her bra on, Harold had said she should wear it practically continuously for two weeks after the surgery. She reached under the cups to massage her bruised tissues carefully. Harry waggled his brows at her and she giggled.

Harold shook his head. "I can't call Kelly 'he' or 'him' when she looks like that."

Barbie sighed. "Goddam Andie, anyway."

"It wasn't all her idea," Harry reminded her.

"No, you started it, confusing the boys by telling them Kelly was my niece."

"Sister. Whatever." He lay back against the couch, watching Barbie get dressed in silky green pajamas he had bought for her in Las Vegas. " I honestly thought she was a girl."

"Well, she isn't--he isn't, dammit!"

"You mad at me?"

"No, I'm just annoyed that you've got me doing it." She buttoned up the last of the tiny pearly buttons on the pajama top.

"Sorry," said Harold.

"No, you're not," she said and plopped herself into his lap. "You're imagining having Kelly for a daughter, taking her on pick-a-nicks, scaring away boys who try to date her, giving her away at her wedding."

"Wow?" said Harold, bemused.

"Confess."

"I confess, she's just so pretty."

Barbie pecked him on the lips then studied his face while he massaged her bottom. "You want Kelly to stay a girl, don't you? You helped Andie when she was just a little older than Kelly. You've turned boys into girls before, in your clinic down in Mexico--did you say hundreds of times? You'd do the surgery on her in a moment if I said yes, wouldn't you?"

"No. She'd have to say yes, too." Harold admitted. And he wasn't sure it would be ethical for him to actually operate on Kelly but he didn't mention that.

Barbie bit him, felt his erection surge beneath her, then hopped off his lap and danced away, giggling.

"You're not spending the night with me?"

She shook her head, taking the short powder blue robe he'd also given her and heading for the door. "I told you, Kelly and I are going to sleep in the spare bedroom. We've got to talk."

Harold wanted to suggest that maybe a mother should not be sleeping with her twelve-year-old son, that maybe that was part of the problem Kelly seemed to have with gender. But he recognized the essentially selfish interest he had in such a view and restrained himself. In his mind, Kelly really seemed like a girl and what was wrong with a mother sleeping with her daughter who had just gone through a terrible experience. "Give her a kiss for me, tell her I love her, too," he said finally.

Yikes, thought Barbie, not choosing to answer. She left the big master suite with its sweeping view of Newport Bay and went down the hallway to open the guestroom door.

Kelly had already changed into pajamas and sat in the middle of the huge queen-size bed. He clicked off the television and got up to hug his mother. His pajamas were covered in multi-colored lollypops, the least girly ones he could find in the saccarine bedroom of the vanished Darla. They were short-sleeved and only calf-length, though, and they buttoned on the distaff side.

"You really gonna marry him?" he asked her.

"I guess so," she admitted. "He's nuts about both of us." They hugged then clambered into the bed to sit facing each other. "You're wearing earrings," Barbie noted.

Kelly fingered one of the tiny hearts. "Andie said I shouldn't take them out till the holes had healed up. I doctored them a bit ago. Stings."

"Did you clean your face?"

"Uh huh," said Kelly. "Took off all the makeup and then washed and used some of that cream."

"You don't need that stuff."

"It smelled nice."

"Your nails look pretty," said Barbie.

Kelly blushed.

"Do you like having everyone think you're a girl?"

"I don't know?"

"What if you'd ended up on television? It could still happen, did you think of that?"

"Barbie!" Kelly protested. "This wasn't really my idea. It... just happened. I told everyone I'm really a boy! Nobody believes me."

Barbie snorted. "I'm beginning to have doubts myself; except, I remember the Dixie cups."

"Huh?"

Barbie mimed changing a baby's diaper, dropping a strategic Dixie cup over the baby boy fountain while dodging an imaginary stream.

Kelly laughed. "I got you a few times?"

"Uh huh. A neighbor lady showed me that trick. Mom wouldn't have known, she never had any boys. Just me."

"Mom screwed up again," commented Kelly. "She's in the hospital."

"I know." Neither of them suggested visiting Amanda.

"Phil seemed nice. Not at first, but later after he told me who he was."

"He was nice, too nice for what I did to him," said Barbie with a twinge of guilt.

"He came down here to ask you to forgive him," said Kelly. "I told him you would and he seemed happy."

"Me forgive him? Well, yeah, I know he already forgave me. We both messed up but I got you and he got prison, the dirty end of the stick, for sure."

"I think he's a little crazy," Kelly said slowly.

"He's got the right to be," said Barbie. "Did he get away?"

Kelly started to tell her how he had disguised Phil and how his acquaintances from school had helped.

"Wait, wait!" Barbie insisted. "Start at the beginning, tell me everything!"

"It'll take all night," Kelly protested.

"We can sleep late, tomorrow is Sunday."

Kelly talked, starting with Harold's miss-identification, with much back-filling and explanations, gigglings and incredulity. He told about the pool party and breaking his glasses and the expedition to Fashion Island and Andie doing a make-over on him. By the time he got to Triangle Square, they were both yawning. "Finish telling me tomorrow," suggested Barbie.

Kelly nodded sleepily, "I'm gonna have some weird dreams."

"I'll be right here, sugar," said Barbie. They pulled the covers back and hugged, then turned out the lights and rested their heads on the pillows.

"Did you like being a girl, Kelly?" asked Barbie.

"It's been fun. Scary, too," said Kelly slowly.

They hugged again. "Don't be scared, baby. I'm right here."

Kelly nodded, "I love you, Barbie," he murmured, his breath already slow and even.

Barbie sighed, then snuggled and they fell asleep in each other's arms.

* * *



Kelly Girl 25

"Floop or Consequences"

Down the hall from Barbie and Kelly, in the boys' part of the house, Richard and Pete dozed in front of the big TV in the children's lounge. Richard woke up from a very vivid dream and stared at the screen for several minutes, not really seeing the infomercial that had replaced the Australian Rules Football he and Pete had been watching.

"Pete," he said.

"Uh," his older brother grunted.

Richard turned off the pitch for the ultimate kitchen gadget and poked Pete in the ribs, not too gently. "Go to bed."

"Get out of my room," muttered Pete.

"You're not in your room. Get up and go to bed. You don't want Skipper to come in here in the morning and find you scratching your balls in your sleep do you?"

Pete grunted again, but opened his eyes and yawned, then stretched and got up. They headed down the hallway to their rooms, making manly, or at least, boyish, noises. "Good night, peanut," Pete said at his doorway.

"Good night, loser," said Richard. "Hey."

"Hey what?"

"I'm gonna marry Kelly when she grows up," said Richard. They blinked sleepily at each other. "I'll protect her from lunatics like that Phil guy. And you."

Pete pointed at him. "Good idea, moron. Except one thing, you can't."

"Why not?" Richard asked.

"'Cause Dad is gonna marry Barbie and adopt Kelly; you can't marry your sister."

"Sonuffa! That's just not right."

"Only one way to make it work," suggested Pete. "You gotta marry Kelly before Dad marries Barbie, ain't no law against marrying your son's mother-in-law."

Richard considered this suggestion. "You already been thinking about this, you bastard, haven't you?"

Pete grinned. "Way ahead of you, little brother."

"But Kelly likes me better," sneered Richard.

"Ha, ha," said Pete. "You wish. I asked her to be my girlfriend first."

Richard grinned. "I remember, she told you she couldn't because she was a boy."

"She did not."

"She did, too!"

They left their doorways and shoved one another a couple of times. "Well, she'll have to make up her mind which of us to marry," said Pete finally. He backed off, knowing that if he used his height, mass and muscle to overpower his smaller brother, the mock fight would quickly come to real blows. Pete could push Richard around any time he wanted but if he won unfairly too often, he could wake up with a knee in his groin.

Richard glared at him, then seeing the physical contest was over, he scratched his head. "She's only twelve. How soon can we ask her to marry one of us?" he asked.

"I think she has to be sixteen, even if Barbie or a judge says yes."

"Four years? Dad's never gonna wait four years to marry Barbie!"

"Only one thing to do," said Pete.

They nodded. "Kill Dad," said Richard.

"You do it," said Pete.

"You're the eldest, you do it," said Richard.

Pete considered. "He'd cream me."

Richard sighed. "And he'd probably haunt us anyway."

They grinned at each other sleepily and went each to his own bed.

* * *

Very late that night, or rather very early the next morning, a middle-aged lady with light brown hair and very blue eyes got off the Greyhound bus in a small town in New Mexico. In the ladies' room of the bus stop, she used the privacy of a stall and a mirror from her purse to shave with the little travel razor Kelly had bought for her. Then she touched up her makeup and, carrying her bags and the heavy overnight case she had brought along, she took a room in one of the old-fashioned downtown hotels. She'd done a lot of thinking on the long bus ride so she signed the register, "Virginia Bellamy," and paid cash in advance for a two night stay.

Up in her room, Ginny made a careful list of things she would need in her new life and notes of how she might obtain them. Then she settled back to re-read the copy of "The Horse Whisperer" she had bought in Yuma. After a nap, she got up and went to the nearby Catholic-run homeless mission. She waited through the services to talk with the priest and told the father that she wasn't Catholic but she was looking for work as a maid.

"You're running away from your man?" asked the old priest.

Ginny blinked. "Why would you think that, sir?"

"First kind of work a woman leaving her husband thinks she's qualified for, doing housework. Either that or you're a recent widow?"

Ginny shook her head, thinking quickly. "N-no.You were right the first time. W-we weren't really married and I'm afraid of what might happen if he finds me. What else can I do?"

The priest sighed. "You won't find maid work in this town, not at a living wage. Do you think you can waitress?"

For a waitress job, Ginny knew she'd have to have a social security card. She shook her head. "I'd be afraid he might find me in a restaurant. It would scare me so bad I couldn't work."

He nodded. "I'll ask around," he said. "Mayhap someone in the parish knows someone who needs a maid."

Ginny smiled at him, and he thought, what remarkably blue eyes she has.

* * *

Barbie and Kelly slept late Sunday morning, no one disturbed them. Harold and Andie got up early enough for a long quiet drive down the coast together while Buzzy read his sister the riot act. "What the hell were you thinking?" he demanded as his ranting finally ran down near Main Beach in Laguna.

"I don't know," she confessed. "You thought the kid was a girl. I thought I'd push a bit and shee how Kelly reacted. He took to it like a duck to water."

Harry frowned.

"He never threw the kind of fit any other boy would have. Most boys would have been retching and puking and cusshing like crazy to keep from being dresshed in girl's clothes, or even thought to be a girl. Yeah?"

He nodded. He'd done a lot of reading in this subject, not just professionally but because his own little brother had needed help in becoming the person sitting next to him.

"He even let me do a makeover; he complained about it but he co-operated and he liked it, Buzzy. He really liked it," Andie insisted. "She liked it."

They were quiet for a few miles. The trees and cliffs and water raced past, another day in paradise.

"What do you think we should do?" Harry asked cautiously. He made the turn-around in Dana Point and started back up the coast. Andie didn't answer right away.

"I should shtop pushing," she said finally. "And you should let Kelly shtay a girl until she decides he wants to be a boy again."

After a bit, Harold nodded.

* * *

Barbie and Kelly lay in the big guest room bed together till nearly noon, talking about what had happened. "Do those hurt?" Kelly asked about Barbie's new implants.

"A little," she admitted. "They ache in my armpits."

"Your armpits?" Kelly giggled.

Barbie rubbed them carefully, Harry had told her they needed to be massaged frequently as soon as she could stand it. Of course, he'd volunteer to do that, she reflected and grinned. "Still tender a bit and there's like a tube running from my navel to each one."

"Your navel? He put them in through your navel?"

"Uh huh," Barbie pulled up her pajama top to show Kelly the stitches in her belly button. The curve of the underside of her new breasts looked startlingly prominent.

Kelly hesitated then asked, "Can I touch them? Your new boobies?"

Barbie giggled. "Sure."

Kelly touched one, it felt soft but firm, as yielding as real flesh, though Barbie's skin seemed warm and taut as a drumhead. Kelly snatched his fingers back after only a moment.

Barbie rubbed them again, a bit more vigourously than before. "They itch, too," she told Kelly. "A stretchy sort of itchy feeling."

"Wow," Kelly said. "The bra I wore yesterday made me itch."

"Why were you wearing that? Did Andie put it on you?"

"No, it was part of my disguise to help get Phil out of the mall," Kelly said.

"Uh huh. Tell me about that, you left off last night with leaving Andie's to go to Triangle Square." Barbie settled her pajamas back around her and propped her head up on her hand.

"Um, yeah," said Kelly. He reached onto the head of the bed and retrieved Robin, the old, yellow-haired, plastic boy doll that Andie had given him. He hugged the doll, thinking of how scared he had been yesterday when the boys from school had found him outside the mall.

Barbie blinked. Kelly had told her about the doll last night and shown it to her. He looks about five when he hugs that thing, a five-year-old girl, she thought. "Did you buy the bra there at TS?" she asked, prompting him to continue.

"Uh, no," he shook his blonde curls and rolled his eyes. "At first, I was gonna buy boy clothes? But the sales lady kept showing me girl's slacks and tops and stuff and I already had my nails done and hair and earrings..." he paused. "I just decided to spend Andie's money on things I didn't think I'd wear after we were through playing her silly game." He squirmed a bit. The rationalization sounded even thinner than it had at the time. "She was going to take me to Disneyland today."

"Uh huh," said Barbie. "Maybe we can go tomorrow." Barbie knew Harold would take them if she asked and she loved the park as much as Kelly did. But how would Kelly be dressed.

Kelly continued his story of his adventures; Barbie giggled about the kisses at the Upper Crust, squealed about the kidnapping in the basement garage and laughed happily as Kelly told how he had disguised Phil. "I don't know," he deadpanned, "the idea just occurred to me. And it worked."

"Phil was a real cute guy," said Barbie, "I guess he'd make a passable girl."

"More than that," said Kelly. "He can sound like a girl, too. Scary."

Barbie considered. "I wonder what happened to him in prison?" She didn't dwell on that for Kelly's sake. "We'll probably never know. He got away, didn't he?"

"I think so," said Kelly. He sighed, "I'll probably never see him again."

* * *

That same Sunday, in the afternoon, the Hoag Hospital in Newport Beach discharged Amanda, convinced that her mild concussion had healed well enough for her to go home. Amanda dressed quietly in her semi-private room, saying goodbye to her temporary roommate, an elderly Filipina whose endless family had visited her in large noisy groups last night and already filled the hospital room again at a little after nine a.m. "Vaya con dios, carita," said the old lady. "Buena suerte."

"Good bye," said Amanda, not risking an attempt at her faded high school Spanish.

Rachel had promised to come and take her back to Riverside when she called, but Amanda didn't feel much like company. She hadn't had a drink since her tiny sip yesterday and she thought that if she waited at the hospital for Rachel, she wouldn't have a chance to sneak away and be bad before she got home to the hidden bottles in her kitchen cabinets. Two more hours without a drink looked like a huge obstacle; her hands shook a bit already.

If she took a taxi, it would cost her fifty dollars or more but she'd be able to stop somewhere and get a drink. The doctors had warned her not to drink at all for at least two days because of a chance of a relapse from her injury. "If I could keep from drinking for three days, I wouldn't have made such a mess of my life, already," she muttered.

A young orderly pushed Amanda in a mandatory wheelchair to the circular drive in front of the hospital. The Pacific Ocean stretched away in two directions, southeast and southwest; misty silver under a periwinkle sky, so beautiful it hurt to look away. To the south, below the little hill the hospital sat on, Newport Avenue crossed Pacific Coast Highway leading onto the Balboa Penninsula. Half a mile away, near the Crab Shack and the Spaghetti Factory, in front of the McFadden Pier, Balboa Avenue branched off from Newport where the Penninsula took a dogleg to the southeast. Down along that narrow spit of land, two narrow for even two parallel streets in places, down there lay the tiny apartment where Amanda's daughter Barbie had tried to raise Kelly alone.

Amanda took her eyes off the view and looked for the cab she had asked for. By coincidence, Elise Fremont, coming back from another fare, had answered the call to the hospital in her green-checked taxi. Not that she knew Amanda or Amanda her, but it was an odd happenstance. Both Amanda and the orderly waved to her as she wheeled the vehicle into the valet line in front of the hospital. Only in Newport Beach do hospitals have valet parking, thought Amanda; but she was wrong, Hoag Memorial is partly in Costa Mesa.

Elise dashed around the green-checked taxi to open the rear passenger door. The orderly helped Amanda into the backseat. She settled in, feeling oddly fragile and unsure if it were lingering effects from her concussion or just the over-solicitous attention..

"Where to?" Elise asked the tiny redhead before closing the back door. Amanda thought Elise looked like a dyke. Her short gray hair stood out in spiky disarray. She wore a short-sleeved, denim shirt, minimally decorated with flowers, a turquoise necklace, khaki pants and the sort of shoes nurse's usually wore. Her horn-rimmed prescription sunglasses gave her face an impossibly anachronistic air. It was the hair, Amanda decided.

"Riverside," she told Elise. "Do you know where Mockingbird Canyon Road is?"

Elise groaned. "That's nearly a fifty dollar meter, lady. Then I've got a half hour drive to get back to where my medallion is any good."

Amanda chewed her lip. "Twenty buck tip," she offered.

Elise sighed. "Fifty bucks tip, or double the meter total, whichever is less?"

Amanda groaned. "Seventy bucks total, you pay the meter."

"Eighty-five," said Elise. Amanda made a face and before she could answer, Elise said, "Okay, eighty bucks, I pay the meter. I really can't do it for less and I might get caught in traffic on the way back. Santa Ana Canyon can be murder on Sunday afternoon."

Amanda nodded, Elise closed the door, raced back around to the driver's side, got in, started the engine and dropped the flag. "We're off," she said, happy to have a long fare and a nice tip. She leased the taxi for one hundred fifty per day, paid for gas herself and anything she made, she kept.

They took Newport Boulevard to the 55 and merged smoothly into freeway traffic. Amanda realized that she should have negotiated a stop somewhere to get a drink but she had only gotten a hundred out of the hospital ATM. She dithered for a bit and then she turned her head to look back toward Triangle Square, thinking of Kelly and Barbie and wondering where they might be and what they might be doing. They didn't seem to need her anymore or even want her in their lives.

Why had Kelly been dressed as a little girl? She'd never found out. The police had called her this morning and told her that her "granddaughter" was all right and back with "her" mother. She hadn't corrected them. The police had told her they were still looking for Phil and that if she heard from him to call them. She had promised she would but she wondered about that. I never seem able to do the right thing at the right time, she told herself.

"I need a drink," she said out loud, intending to start negotiations.

Elise heard what she said but ignored it until the cab had crossed the 405. "You'll be home in forty-five minutes," she promised, obliquely.

"Okay," said Amanda after considering it. "I can wait that long."

"Boy howdy," said Elise, wonderingly. "Can or can't?"

"Can," repeated Amanda. "I can."

"Good deal," agreed Elise. She didn't tell Amanda the story about her own father who had gotten "potted and planted" all in one day because he tried to pass a slow moving lumber truck on a curve. In her experience, talking about drinking or drunks with a drinking person was a sure way to encourage the desire for a drink. She suspected her fare had just gotten out of detox; she's got the look of a drunk, something about the eyes, Elise thought.

They didn't say anything else much going north up the 55 and east on the 91. Amanda thought Elise had exited one exit too early in Riverside but the cabbie turned out to know a quicker way to Amanda's neighborhood than Amanda had ever found.

Elise let Amanda out in front of the little mobile home in Space 234 of Mockingbird Canyon Wheel Estates less than forty-five minutes from the valet parking circle at the hospital. Amanda paid the fare as agreed and hurried to open up her door, worried about her cat, Flooper, and trying to think about that and not the liquor bottles hidden in the cabinet. Her hands trembled only a little as she worked the key.

Once inside, she saw that someone, Rachel surely, had already put food out for the lazy tom. Floop's buttered-toast-colored tabby body with the darker Siamese points at ears, tail and feet lay stretched out on the turquoise couch. When the door opened, he turned his head in a way impossible for mere humans and blinked his pale green eyes at Amanda. Then he made a production of stretching, rolled over, dropped to the floor and sauntered toward her, perhaps curious that he hadn't seen her since yesterday. "Mow?" he asked

Amanda laughed and scooped him up. She sat down in her easy chair and put the cat in her lap. Floop purred contentedly, working his claws against her leg, right through her slacks. She glanced once at the liquor cabinet and resolved to call Rachel before she opened it again. She petted the cat and her hands didn't shake. "Well, I'm back," she said.

* * *



Chapter 26

"Desert of My Heart"

Elise Fremont didn't get to pick up Barbie and Kelly in her cab when they left Newport a few days later; Harold had leased a car for them to use and Barbie had the five thousand dollars in cash she had been promised for the whirlwind Las Vegas date. Barbie had chosen a Saturn, a green one that practically matched her eyes. She liked the little car's reputation for reliability and quality and Saturns were among the friendliest cars made for short drivers. They'd had to wait most of a week for Barbie to heal well enough to drive after her breast implant surgery on Saturday. It still hurt a bit to put her arms above her head but the Saturn had power-assist steering.

They could have flown where they were going but Barbie didn't want Harold to know exactly where the would be for a few more days at least. They had new luggage and new clothes, too, and most of their things from the little apartment on the Penninsula had gone into boxes and bags stored in Harold Mann's huge garage.

"I'm missing the start of school," Kelly noted as they drove away. Pete and Richard had started class on Tuesday and weren't there to see them off on Friday morning. Harold had said his good-byes to Barbie last night and left for his clinic in Rosarita Beach, Mexico, early in the morning. Andie had been avoiding them since their Disneyland trip on Monday. No one wanted them to go and had painfully chosen not to watch them leave. Only Connie, the housekeeper, waved as they pulled away.

"Did you want to start school dressed like that?" asked Barbie.

Kelly glanced down at the same yellow blouse and turquoise slacks he had purchased in Triangle Square the day of the kidnapping. "I guess not," he admitted.

Barbie grinned. "It's okay with me if you want to jump the fence, you know? We talked about it, right?"

"Uh, yeah," said Kelly. "I guess I don't want to do that. Not right now?"

"Right. And if you're not going to tell Richard and Pete that you're really a boy, well, we can't stay with the Manns."

"I'm sorry, Barbie," said Kelly.

"Don't be. We both need time to think, away from big people." They both grinned.

"Are you sure Harry knows?" Kelly asked.

She nodded, "He knows, I told him."

"He doesn't act like he knows. He still treats me... I mean, he's worse than the guys?" Kelly squirmed, the last few days, Harold Mann had taken to calling Kelly "princess".

Barbie considered. "I think he's always wanted a daughter? And he thinks you're like Andie."

"Yikes," said Kelly. Then he asked, "Do you love him?"

Barbie shook her head firmly. "No. No, I don't think I love Harry. He's nice, he's super-nice, I like him a lot and I think he thinks he loves me. Which could be trouble." The idea of falling in love with Harry scared Barbie a bit, he was the most considerate lover she had ever had, he was crazy about her and Kelly, he was rich and handsome and smart and he didn't mind that she was little and uneducated and poor. What was there not to love? Still, Barbie held back on that commitment even though she had agreed to marry Harold. They just hadn't set a date yet.

"Oh," said Kelly, exactly as if he had read all of the confusion and complexity of Barbie's relationship with Harry in her voice.

They took a familiar route north then east. Kelly watched the scenery through the fancy emerald-frames of his new glasses, part of the set Andie and he had finally picked up Sunday afternoon. Barbie turned off to the north on the I-15 before they passed Amanda's exit on the 91. Neither of them mentioned the woman they both called Mom.

Somewhere near Devore, Kelly asked, "I'm not like Andie, am I?"

Barbie glanced at him sitting there with his platinum hair in curls--his heart-shaped earrings, his feminine eyeglasses, his pink nails--dressed head to foot in girl's clothes. "Well," she said judiciously, "you don't have enough tattoos or hardware."

Kelly grinned. "You know what I mean?"

"I can't answer that for you, honey," said Barbie. "You're the only one who can know something like that? Do you think you are?"

"I dunno," said Kelly. "Everything's been so crazy?"

"Well, why didn't you want to tell Pete and Richard that you're really a boy?"

"I did tell them," Kelly insisted. "I told everyone and no one believes me."

Barbie laughed. "Yeah, I think you might have to whip it out and pee on the wall to convince them."

"Ack! Barbie!" But Kelly giggled too.

"You didn't let me tell them either, or Harry. They might have believed us," Barbie pointed out.

"Yeah, well," Kelly murmured. "I didn't want them to stop liking me," he almost whispered.

"They wouldn't have stopped liking you, sugar," Barbie said. "They know all about Andie and she's their aunt."

"Not the same thing, is it?" Kelly said.

Barbie thought about that for a moment. "No, I guess it isn't. You don't get to pick your relatives and you have to take them as they come, feebles and all."

"Foibles," he corrected her.

"Foibles," she agreed. "And Andie has a real collection." She thought of her own mother, Amanda, and Kelly's father Phil. Kelly had confided to her how he had gotten Phil out of the mall under the noses of fifty or more policemen. Maybe it runs in the family, Barbie had thought, imagining how Phil might look disguised as a soccer mom. "I guess I see what you mean, they like you as a little girl and if it turns out you're a little boy, they might decide you were fooling them?"

"I'm not so little, I'm twelve," he pointed out. "And, and I don't think Richard likes me as a little girl..."

"Ah. Even more reason he might be annoyed?"

Kelly nodded. "They're huge, Barbie. They are huge guys, if they got mad at me, I wouldn't even be a greasespot."

"They wouldn't hurt you," she said firmly.

"Well, I know that, but still..."

"Do you like it that Richard thinks of you as a girl? A pretty girl?"

"I don't know," said Kelly. "He makes me feel funny." He looked out the window again, avoiding further conversation for a bit.

The desert mountains passed quickly but seemed endless; a monotonic variety that wasn't at its best in the dessication of late summer. Now was the danger time in Southern California, when careless or deliberate sparks might start an inferno that could eat up desert scrub, mountain forest and urban sprawl in a raging, death-dealing wall of fire twenty miles across, or more. Wildfire was more to be feared than the much more famous California earthquakes. And after wildfire, when the rainy season came too late to stop the burning, flashfloods and mudslides would ravage the land no longer protected by vegetation. It was a California story older than the string of Spanish missions along the coast.

Kelly sighed and crossed his arms; under the fake breasts of the padded training bra he was still wearing, Barbie noted. From somewhere, Andie had supplied jiggly little silicone booblets to go into the cups of the smallest bra available in department stores. They made for Kelly a very realistic looking, nearly-A bosom.

"I want to go back to being a boy. I want to try that," he said, tossing his head in an incongrously feminine way.

"Shoot," said Barbie. "We were going to stop somewhere and buy you some boy clothes..." and get you a haircut, and switch your eyeglasses, and clean off your nails, she didn't say, partly because he interrupted her.

"Las Vegas has malls, doesn't it?" While neither had told the Manns, Kelly knew their destination.

"Sure it does, honey." They were going to Las Vegas as a place far from Newport Beach where Barbie could find work and still visit Harold Mann's plastic surgery clinic every week or so for more filling of her free breast implants, a process that might take months. The Metropolis of Lights, the City without Clocks, would be a safe place to live until she married Harry--and Kelly made up his mind about his wardrobe.

"That'll be soon enough, when we get to Las Vegas," said Kelly.

"You can be my little girl for a few more hours, then," said Barbie, teasing, testing.

"Okay," said Kelly. He thought of something and reached into the back seat to retrieve Robin. He played with the yellow-haired plastic boy doll on his lap for a moment then gave the old toy a comforting hug. His mother said nothing until he remarked, "You know, this stuff is just scaring the shit out of me?"

"Poop," said Barbie. "Nice little girls don't say 'shit.'" And holding that doll, Kelly did look like a little girl, no more than eight or nine despite the bustline. It made what he had said sound even more emphatic.

Kelly giggled and kicked his feet. "You say stuff like that?"

"Yeah, well, don't do it around guys unless you want them to think you're... never mind."

"See? That's the kind of stuff that scares me?" He hugged the doll again and rubbed his cheek on Robin's soft plastic one.

"Scares me, too," admitted Barbie.

"I don't know anything about being a girl," said Kelly.

Barbie said only, "There aren't really any manuals."

Kelly nodded. "Not on how to be a boy, either."

"Guess not."

"I don't think I'm very good at it."

"Being a boy? Well...." Barbie didn't want to agree with that but she couldn't think of anything else to say.

Kelly sighed. "I've got to... I mean, I am a boy. I can't just be a girl 'cause I'm better at it, can I?"

"I don't know, sugar? I mean, why not?" Barbie almost bit her tongue when she realized what she had said.

"You think I should be a girl from now on?" asked Kelly. He placed Robin in the seat beside him and looked out the window then turned back to look at his mother; she hadn't answered him yet.

Carefully, Barbie said, "I think you should be whatever you have to be, to be happy."

Kelly bit his lip then began to cry, softly. "I don't know what to do, Barbie? I don't know what would make me happy. I've been a girl at the Manns' house for a week now and--and it was fun? But--I've been a boy for twelve years and I thought we were happy then?" A tear ran down into his mouth; he tasted salt and the strawberry lipstick he had been wearing yesterday.

He pulled down the vanity mirror and took a look to be sure he hadn't put more lipstick on this morning. The pretty girl in the mirror looked back at him, lush golden lashes damp with tears, rosebud mouth unadorned but lovely. "I'm not sure who I am, anymore," he said.

Barbie extended her right hand to clasp Kelly's left. She winced a bit, the muscles of her chest and upper arms were still a bit sore. "We'll just have to find out, kiddo," she said reassuringly.

Kelly nodded, folded the mirror up, took off his glasses, wiped his eyes and sighed. With his glasses back on, he picked up Robin again and settled the doll into the crook of his arm.

"Just between you and me," said Barbie, "I thought we were happy, too." She grinned at him.

He giggled. "Doesn't take as much to make someone our size happy...."

"Short people got no reason," Barbie agreed. They laughed; then they sang the Randy Newman tune in close harmony and very loudly, all the way through, twice. Kelly made the doll dance on his lap, even doing a high kick on the choruses.

Above them, the sky ached; a vast, impenetrable blue so deep it looked painful. Icy crystals twenty miles up made a sunbow of a million phantom colors, a meterological migraine. In front of them, the wide desert floor stretched to three horizons; behind were the mountains they had just come through.



End of Book 1


Book 2 - Kelly Girl Incognito coming soon

Note: TG crossdress under-13 deals prison crime series Rated-R
Chapter 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 15a. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.

Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart | Login/Create an account | 51 Comments
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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Jan 25, 2004 - 11:22 PM
After reading the ending of this tale, I can see why Dr. Mann is in love with Barbie - I think I'm in love with her too. What a sweet loving lady she is despite the hard life she's had. The way she loves Kelly and is willing to do whatever is needed to give her child a happy life says it all. We should all be so lucky to have a mother or a parent like her.

I can't wait to see what happens to our two miniture blondes in book 2, so please post more soon.



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 26, 2004 - 01:11 PM
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Barbie is perhaps the most admirable person in the story, to me at least. I think I'm in love with her too. ;>

I'm glad you enjoyed my conclusion to Book 1. <{{;>

Wanda


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Giggle, giggle! Three chapters at once! WOW! (Score: 1)
by Angel (angelohare@earthlink.net)
on Jan 26, 2004 - 08:24 AM
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Yupper, talk about a wonderful surprise! It was definately worth the wait and what a treat!

Wendy, you have done it again dear. I laughed I cried and I still WANT MORE!!!!!!!!!!!!

Huggles
Angel



Re: Giggle, giggle! Three chapters at once! WOW! (Score: 1)
by Wanda on Jan 26, 2004 - 01:12 PM
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Thank you. Engyl. ;> And a giggle right back at you. <{{:>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Jan 26, 2004 - 11:49 AM
I was apprehensive about the conclusion of KG. There were so many plot possibilities, so many unanswered questions, so many characters, that I wondered whether Wanda would be able to pull them together. In my opinion, she has done a terrific job.

Lt. Mendoza, Phil, Amanda, and Grant Walker are still around, still with information that could complicate things if anyone ever adds it all up. But I'm satisfied with Wanda's temporary resolutions of their immediate threats to Kelly.

I thought leaving the Mann boys ignorant of Kelly's current physical sex was a good idea. Kelly's reaction to their interest in him is very relevant to his dilemma over whether to "jump the fence," so keeping that open makes sense.

The long conversation between Barbie and Kelly was a great way to wrap up Book One. It reunited the two most compelling characters, and gave them a chance to discuss the most compelling issue in the story, whether Kelly will be a boy or a girl. I like the way Wanda left things in almost perfect balance, or tension. One could imagine Kelly living as a boy, in the short run at least. It would also be quite plausible for Kelly to end up deciding to be a girl. I would say Wanda has included more reasons for that outcome than the opposite, but not so many more that it's a foregone conclusion. I see that she has even kept the age regression theme alive, though Kelly himself is leaning toward being his own age. So in a sense, all the possibilities are still possible.

No doubt Kelly's ultimate outcome will be affected by events and situations that will occur in Part Two. What I find particularly remarkable is that I'm satisfied by the conclusion of Part One, in the sense that I'm not on the edge of my seat or feeling that the resolution was premature or phony, but at the same time I am eager but not desperate to find out what happens next.

And you did get Kelly his glasses. Whew.

In closing--thanks, Wanda. I look forward to The Fairy King; any teasing hints about the content? You seem to be on a roll, writing more freely than at some times during the creation of KG. The reworking of KG 1 sounds interesting, but I confess that I am looking forward to KG 2.

avidreader



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 26, 2004 - 01:28 PM
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You were apprehensive? ;> This is the longest work I've ever posted on the web, I was very nervous about trying to wrap up the threads of Book 1 in a satisfying way that I could still reopen them later. I'm glad you think I did a good job. It was a lot of fun to write, really the most fun I've had with Kelly Girl since the episodes with the kisses in Triangle Square.

Book 2 will see Barbie and Kelly in a new environment, with a mostly new set of characters, at least for the beginning of the story. Kelly starts school and Barbie's life takes an interesting turn in Kelly Girl Incognito. <{{;>

As for The Fairy King, it's the tale of a magical transformation--or is it? Talking animals, fairy queens, romance novels and hallucinatory dreams--what would happen if you were who others wished you to be? Who are you--really? <{{:>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by maddy on Jan 27, 2004 - 04:37 AM
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Well i think i enjoyed it!

What happened in the week after the 'kidnap'? Why has Barbie taken Kelly to LV? away from his newly acquired girl friends? What about school? he/she's supposed to be starting the new term.What is Barbie up to?

I think i'd rather have waited a bit longer for a more cohesive ending, Wanda seems to have felt under pressure to get it finished and as a result it doesn't hang as well as the other chapters.

Still, i look forward to the sequel.



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 27, 2004 - 12:01 PM
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I'm glad you enjoyed it. ;>

As to your questions, what happened in the week after the kidnap: part of that is covered in the story, as much as I intended to. I've been being criticized all along for giving every detail of every minute and I've been warning of a big time jump coming for months. This was that jump. There will be another smaller one before the actual start of Book 2.

The rest of those questions are actually answered in the last chapter, they are going to LV so Kelly can try going back to being a boy without having to convince the Mann bros. first. Yes, he's missing the first week of school in CA but after an experience like Kelly had, no body made a big deal of that. LV has a number of advantages.

I wasn't under any more pressure to write these episodes than any others. ;> In fact, I had them done a week ago and played with them, changing a line here and there to get it just like I wanted it right up until two hours before they were posted when I turned the final versions over to Joyce.

I didn't want to write about a whole week of the Manns and Barbie trying to coddle Kelly, so I didn't. ;> The story needed a break like this to feel like an ending, even a temporary one, in my opinion. This was the ending planned for the first book since about episode 12, including the pun title for #25. The very very last chapter has the title I had planned to use for the first chapter of Book 2.

Really, the only planned sequence of Book 1 that I left out was the trip to Disneyland and what with the recent death there on one of my favorite rides, it wasn't funny to call it "The Tragic Kingdom" anymore. ;<

BTW, I'm still in the middle of reading Gaby over at Sapphire's. ;> I'll try to leave you some comments. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Jezzi on Jan 27, 2004 - 07:50 AM
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I liked the fact that throughout you mostly did not take the road most traveled in TG fiction; the ending was realistic. Given that, this ending left me very frustrated, so I am very glad there is a part 2 coming where, given the name, kelly is still/once again a girl. More adventures! You go, authorgirl!



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 27, 2004 - 12:36 PM
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Hi Jezzi,

Glad you enjoyed my attempt at turning a few cliches around, mostly I think I was subtle enough about it. ;> While I did play with some screwball elements, I think I did a good job at keeping things 'realistic' or at least believable. ;>

Book 2 will have some new challenges for Kelly (and for me). I'll try not to be too tardy at getting it going. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Jan 27, 2004 - 05:24 PM
Wanda-

A couple more thoughts on KG 1, then I'll hunker down to wait for Book 2. Thanks in advance for bearing with me!

I forgot a character who has potential for future influence on the story: Gregory Lamb, the "no-budget" indie producer. He was trying to reach Andie during the craziness at Triangle Square, hoping to put Kelly in the movies. Now he might be no more than a relic of an extinct story arc, but you never know...

Now that Barbie and Kelly are on the road to Vegas, they can confront Kelly's gender dilemma head on. Is he going to be a boy or a girl?

There are some good reasons for him to be a boy.

For one thing, he IS a boy, XY chromosomes and everything. If he lives as a boy in Vegas, they can just send for his school records normally and sign him up. Because he is physically male, for him to live as a girl, either in the short or the long run, would involve some kind of "fooling Mother Nature," which could lead to discovery and trouble. Kelly himself, always more sensible than anyone else in the story, keeps pointing out this basic fact.

The downside of living as a boy is something we and the characters already know: Kelly is very feminine. He looks, moves, and talks like a girl, and he likes girls' activities. It appears that his developing sexuality is focused on males rather than females. None of this forecloses the possibility of Kelly remaining male; there's nothing intrinsically wrong with him growing into a feminine gay man. If anybody could handle that, it's Kelly. But it's obvious that people can be very cruel to a boy like him--or a man like his father.

There are some good reasons for him to be a girl.

Kelly's feminine appearance and demeanor could be considered reasons for him to live as a girl, but in this particular story it makes a difference what Kelly wants, and whether it really is the best thing for him. So there has to be more justification than just looking like a girl. (Though events could lead him to pose as a girl, just on the basis of his appearance.) The story has presented some of that justification. His erotic inclination toward males is one reason. He also seems to enjoy feminine clothing, cosmetics, and jewelry. He seems to relate to females his own age as peers, and to males as the opposite sex even if they are pals like the guys at TS. It is these facts that clearly make Kelly fit the pattern of a gender dysphoric pre-teen. But what should be done about that?

There are downsides to having Kelly begin a Real Life Test in Vegas. An obvious one is how to conceal his maleness. That's ironic, considering how he's been unable to convince anybody he's a boy. But he's supposed to be going into seventh grade, and in my state that means undressing and showers in gym class. They would have to cook up some reason for him to avoid this experience. Plus, he might be considered too young. I have done a lot of reading on this topic, and I know that in Great Britain and, especially, the Netherlands, there is an increasing consensus to allow younger and younger children to live in the cross-gender role, though they do no more than give puberty-delaying drugs till at least the age of sixteen. This is less common in the US. In any case, this would require a doctor's involvement, which could justify a school allowing Kelly to live as a girl. (We all know who that doctor could be!) But as much as this path makes sense, and would fit with the last part of the discussion between Kelly and Barbie, it would not be without problems.

If somehow he could be enrolled as a girl without anyone at the school knowing, there would still be the matter of school records. Though they do have a possible ally in Melissa Klemencic in Kelly's old school system...

In closing, I just want to say how amusing your geographic details are. At one point, I was using MapQuest to find the exact locations of places like Triangle Square. And this last episode should have been sponsored by Saturn Motors (Official Car of the TG Fiction Community). My question is, when they say Saturn comes with an SRS system, do they really mean it?

Well, anyway, thanks, happy writing, and good luck.

avidreader



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 27, 2004 - 06:36 PM
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Always a pleasure to read your thoughtful comments, A.R. ;>

I haven't forgotten the estimable Mr. Lamb, he will be part of a future story arc and Melissa Klemencic Wiest (she's married now, Andie keeps forgetting) may have a part to play also. I'm not telling, yet. ;>

There are also a few side stories coming up, before, after or during KG Book 2. One currently called "Headline Harry's Homecoming Queen", and a second called "The Femme Fatale of Cell Block F" and a third that may feature Melissa in a starring role in "Fountain Valley PTA". Andie may have another turn in "Summer Camp" as well.

Your discussion of Kelly's gender dysphoria so closely parallel's my own thinking that I feel like I have a co-author. ;>

And really, I picked Saturn for Barbie's car because it is the nearest thing to a full-size car I know of that seems obviously designed for someone less than five-foot tall. LOL. SRS, huh? I'm only 5'7 and in the older Saturns, my head touches the ceiling.

Now I have to be disciplined and go finish The Fairy King so I can start on Kelly Girl Incognito. Thanks for the comments. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Jan 30, 2004 - 01:00 PM
Wanda-

The "co-author" comment was very kind. Thanks. And I wouldn't want to turn KG into a documentary on childhood gender dysphoria, but there is a plausible reality at the root of all the unlikely things that happen in your story.

I know you've got most of this sorted out already, and I should just wait patiently. But you might find my thoughts amusing:

If Book 2 started with a short-haired Kelly in t-shirt, cargo shorts, and Nikes, accompanying Barbie to look for a place to live in LV, that would be fine. Your fertile imagination would find some amusing way for our hero to end up in female disguise again. But the switch to boyhood might be tricky. Buying clothes would be no big deal, but it might be awkward at a hair salon; does he present as a boy or a girl, what about the platinum color, etc. I don't think Barbie can cut hair, or she would have done so before the story started. And then there are Kelly's pierced ears. They were part of his disguise, but now they've been in for a week. They'd probably close up if he took the starters out, but I think the holes would stay visible. Lots of 12-year-old boys have pierced ears, but all Kelly needs, as the new kid in school, is one more thing to bring on the kind of trouble he's been having all along.

Apparently Kelly has been thinking in terms of leaving the earrings in till the holes heal, and taking care of them. I wonder whether he's really ready to get his hair cut.

So I guess I wouldn't be surprised either if Kelly emerged from the time jump in a skirt. But then there's be the various technical difficulties of a new identity. Oh well, we'll see!

Of course the wild card is that fertile imagination I mentioned before. Maybe some goofy thing will happen during the little time jump that will push the story ahead and resolve a dilemma or two.

Well, this was just supposed to be an acknowledgement, not an interruption. ;>

avidreader


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 30, 2004 - 09:10 PM
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I hope my "fertile imagination" doesn't seem soiled but I think the opening I have planned for Kelly Girl Incognito will please KG fans. ;> I have left the little guy in a bit of a dilemma, haven't I. <{{;>

Thanks for the input. And the Fairy King goes apace. ;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Jan 30, 2004 - 07:12 PM
After reading the ferst book I can't wate for book two to come out.

Jolly



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Jan 30, 2004 - 09:10 PM
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Me either, dammit! <{{:>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 03, 2004 - 02:35 PM
Wanda-

I sat down this week to re-read the whole story, now that it's complete. Again it struck me how interesting the characters are, even though the story still has the necessary TG content. The plot twists still make me laugh, especially when I remember my guesses about what would come next.

I understand that the story sort of took on a life of its own, but I see now that it did mostly follow a plan that you had months and months ago. My question is about Book Two: Is it based on new ideas that came to you while writing Book One, or did you just decide you had to divide the project in two so you could do some other things [like live a normal life ;) ]?

I'm looking forward to The Fairy King, but I must confess I'm hoping KG2 comes together quickly too. That whole "incognito" thing is fascinating; an identity is disguised, but how? And what identity is true? Is any identity? Stay tuned...

avidreader



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 03, 2004 - 07:24 PM
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I re-read the story recently, too. Once before I finished it and once after. The continuity errors make me wince and there are some places where the phrasing, pacing or other craft details are just off. I do want to fix all those things and offer a Kelly Girl paperback book through Joyce's Doppler Press.

I'm not sure if I write quite the way anyone else does. I usually start with a situation, which might be the beginning, middle or end of the story. Then I create characters for the situation, and let them run loose to see what they do. When a plot starts emerging, then I have a story. ;> I may or may not start outlining then but I will often have the broad outline of the story somewhere in my mind without a physical outline. I may not know all the details but sometimes it looks as if I did, somehow, looking backward. Maybe some part of me does.

About Book Two, I actually have the first chapter written, mostly and an outline in my mind for where the book is going. Some of these ideas are ones I could not fit into Book One, some are new ideas that have been sparked by playing with the situation. I expect more ideas will occur as I create new characters to interact with Kelly and Barbie.

I had so many ideas in fact for this story that I've ended up starting another story as well, a sort of parallel universe of Kelly and Barbie, though I've given them different names. This story is called at the moment, The Incognito Parallel for want of a better title. ;>

But the Fairy King is now finished in what I call "outline draft" which is more than an outline and less than a real first draft. All the major characters and incidents have been created with a paragraph or so to describe them and even some dialog written. It's between 28 and 30 chapters long depending on how long some of the incidents take to write, and I have a solid draft of the first 18 chapters done, about 50,000 words.

Love hearing from you. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 04, 2004 - 11:41 AM
What is it about this story that makes it want to go in so many directions?

AR


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 05, 2004 - 12:23 AM
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One thing I've done is keep options open as long as possible and in fact, try to open up more and more options as the story goes along. It did make in hard to write when it was necessary to trim options down at crisis points in the story though. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by DebraKohlrust on Feb 04, 2004 - 07:11 PM
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A perfect and, IMO, realistic ending. I'm glad to see that Kelly didn't just jump up and say, "Sure Mom!" to the offer to stay Kelly.

He's obviously a very bright PLUS thoughtful kid and it would be out of character for him to dive right into girlhood. However, I can't wait to see how he finally DOES become a girl for keeps!

Lovely and very enjoyable story!! Wish I had written it.



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 05, 2004 - 12:26 AM
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Just read your first story here. ;> Welcome to the BigCloset, we have something in common, huh? LOL.

I liked your story, I'll comment on it later directly, and thanks for your comment here, glad you like Kelly Girl. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 08, 2004 - 06:05 AM
I didn't want to post a comment until you ended the book, and we've finally reached that time.

I honestly believe that this is one of the half-dozen or so best pieces of TG fiction that I've encountered on the Internet in lo these ten years of being online. And that is a whole lot of TG reading! :-)

On the rare occasions someone writes their "amateur" fiction so well, I can't help but want to ask, are you a professional writer? You have mastered the art of cliffhanging your chapters so well, that television producers should be willing to kill each other to have you write for them, for instance. Not that cliffhanging is the most important art that you display in Kelly Girl by any means.

At the center of what makes this story so good it seems to me there are three elements.

You seem to feel in your own heart and your own thoughts exactly the same sort of desires for what is possible and what might happen that most of your intended audience feels very deeply. Writing from the heart is maybe the most important quality to start with, and so few have it. If you'd written the same story with a knowledge of what readers usually look for in TG fiction, but not feeling it yourself, then Kelly Girl would have come across as shallow, cynical, and manipulative. I guess this is why so many good writers or teachers repeat the mantra of, "Write what you feel."

You have a real knack for suggesting to the reader every single, possible, tantalizing potential in a situation. You mentioned that you consciously worked on writing each installment that way, and you were very successful! Surely because you started with genuine talent for this.

You have a wonderfully vivid realization in your mind of how each character speaks, looks, gestures, feels, and reacts. Because your mind's ear hears them speaking like real people, the dialogue you write for them sounds just like real people, accompanied by natural and convincing descriptions of how they move and look. This makes a reader feel as if they're present in each moment you write about.

It's interesting that you wrote in third person, because the vast bulk TG fiction on the 'Net is written in first person. (As an aside, it's hard to say whether that's because so many TG writers and readers might be very narcissistic and have trouble writing any other way.)

Oh, make that four elements at the center of your successful writing. You're simply good with words. Your prose is enjoyable. Even during those moments when the prose waxes a little purple, you pull it off well and the reader enjoys it.

For instance, your descriptions of the Colorado River and its relationships with the people surrounding it. Which also developed into a very nice theme, by the way. And of course, how can anyone write about that part of Southern California without trying at least once to describe the sunsets that inspire renewed awe almost every single evening there? Even if it hadn't already become a staple of so much other fiction, it still would be difficult to write without seeming terribly cliched and shallow. Fortunately for us, your way with words makes it enjoyable to read.

Part of me very much wanted you to conclude the story in some way, because if you had managed to tease it along any farther without some kind of conclusion then that probably would started seeming like too much of a game, half playful and half cynical. Good choice to end it the way you did.

It is a great choice on your part to write a KG2. I don't think any reader out there wants to be done with Kelly yet, by any means. And I think a great choice to write an alternate-universe KG, as well. :-)

I don't know how many of us have strong opinions about the direction Kelly would like to take in his/her heart of hearts. I certainly do. Surprised?

I think Kelly is definitely transgendered but definitely not transsexual. There are a whole lot of people who are like that, to varying degrees. Some of these people begin to know themselves so well that they become comfortable with the idea that they have different aspects of what they feel to live with and express outwardly and that they have to live sometimes as a man and sometimes as a woman because most of society won't accept all those aspects from a man, nor all those aspects from a woman. They go back and forth into the two different roles and different times in their lives. A few even explore living as neither sex. Of course, few of the XY-chromosome people are blessed with a physical appearance that lets them get away with switching to female role in a way that most of society is willing to accept. So far, at age twelve, Kelly is blessed in overabundance with that kind of physical appearance. Much more often, genetic females are able t

Read the rest of this comment...



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 08, 2004 - 04:36 PM
Hi Annie,

You certainly saved up a doozy of a comment. ;>

The compliments are appreciated but are bound to go to my head. What with all the fine TG fiction that has appeared right here on BigCloset in the last year, to be reckoned by you as the author of one of the half dozen best TG tales in ten years is a bit jaw dropping. ;>

As for my professionalism, it's been quite a few years since I made my living by writing, I'm actually a housewife now. ;> But I still get paid to write now and then, so I guess I am semi-pro.

I do keep working on improving my skills, refining my techniques, and widening my scope as a writer. I do this by writing a lot, reading a lot, and reading a lot on the craft, art and science of writing. It's possible to grow as a writer in many dimensions, because it IS a craft, an art and a science.

The first thing a writer needs is the will to tell a story. Second one needs a story to tell, after that it is all about tools and how to use them.

Writing what you feel is part of the first thing, exploring possiblities is part of the second. Everything else, cliffhangers, dialog, descriptions and even the trick of turning purple prose into super-realism by a touch of self-deprecating irony is part of the Writer's Toolbox, available for just 600 payments of $79.95 per month from WritersToolboxR.us. <{{;>

As you say, I had to bring an end to the first KG book in order to have a fresh start on some fresh vistas for the characters. Kelly Girl Incognito will actually explore a wider view of transgenderism than Andie's transsexuality or Kelly's "accidental" transvestism.

As to Kelly's sexuality, so far he has had sexual feelings only for boys -- but is that because, so far, only boys have displayed sexual feelings for him? Maybe we'll get into that in KGI, also. ;>

I like your girlfriend's exegesis of the allure of feminitity. It reminds me of Bette Midler's description of herself as a female drag-queen. ;> "Take big bites," said the Admiral.

As for editing, yeah, the errors really stand out in re-reading. Yikes. But "tony" and "toney" are both correct according to my dictionary, and "tony" is the first spelling listed. ;> I know it is derived from tone as in high-tone but since when have English derivations made sense? ;>

On research, I live here in Southern California so that part wasn't hard, the cell phone bit came from a recent article I had read on the difference between analog and digital cell phone networks. I used to be a veterinarian's assistant myself so I knew about humane killers, and also from Dick Francis's excellent mysteries where they are mentioned more than once. Even though I knew those things, I did check with some research. Also on breast implants.

But on the kids' dialect, my effort there went to versimilitude not accuracy. I didn't want my story to be incomprehensible to anyone over 15, so I didn't write the way the kids nowdays actually talk, I just suggested it. The local kid dialect is a subset of SurferSpeek, a wide river of slanguage running from Sydney to Honolulu to Malibu and including the ValSpeak of the Eighties as an imitative estuary. Most recently, this undertongue has again begun incorporating words and phrases from other subcultures like hip-hop and nation. I left most of those out.

Oh, and The Fairy King probably owes more to Shakespeare than Spenser. ;>

FK should start being serialized here in March, KGI in perhaps August and sometime next year, we may see the adventures of Drew Kelley and his mom, Debbie, as they explore the strange lands of The Incognito Parallel.

After that, Kelly Girl Forever?

<{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 09, 2004 - 12:11 PM
Thanks again, Wanda, for giving some indication of what's to come. The "wider view" of TG sounds interesting. At first, the story seemed to be heading for Andie's version by way of the accidental version, which would have been fine, but what's so distinctive/frustrating about KG is the leap into something more complicated.

In my opinion, these options exist because you made Kelly old enough but not too old, intelligent and mature but not too much so, small but not too small. No wonder you are finding it worthwhile to explore a whole alternative story.

August, hmm? Well, okay. Heaven help me if I carp about having to wait for more of this wonderful story to appear on my screen for free. (I did donate to BC.) Any chance to see the opening episode before all of Fairy King is posted?

Whoa, what was that last comment you made? After thinking about KG1 as a whole, a little voice started telling me there might have to be a third book to achieve closure. I even thought about asking about that here, but figured no way should I even bring it up. I find it interesting, and amazing, that you're thinking about "KG Forever."

avidreader


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 10, 2004 - 12:50 AM
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Hi AR,

I'm going to try to have a substantial amount of book 2 written before I post any of it, though, so I don't know if previews of chapter 1 will be available or not.

There will be a third book if I live long enough, there might even be a fourth, just to avoid the witchburnings. ;> The first book raised the question, the second book will explore the options, the third book will result in a decision and a potential fourth book would examine consequences, mentally I'm calling KG Book 4 Kelly Girl Expose' but book 3 and 4 are just concepts right now. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 09, 2004 - 11:52 AM
Annie-

That was a very thoughtful and comprehensive comment, and I'd like to respond.

1. KG compared to other TG fiction: My reading in this genre goes back to long before the Internet, scrounging crummy adult bookstores for old Nan Gilberts and the like, and discovering Miss High-Heels in, of all places, a university library. I wasn't online till early in the Netcape era, but I started reading Internet TG fiction when the Nifty Archive was still on a server at Rutgers. In the meantime, I have also read some Reluctant Press and Sandy Thomas products. I've enjoyed some crudely-written stroke books, and disliked some well-crafted stories. Generally speaking, though, I prefer stories with some literary quality as well as TG themes. I am very hesitant to step into the mosh pit of TG fiction criticism. Often, it takes the form of "how dare you not write [for free] the story that I want you to write." This seems unnecessarily divisive, especially when there are people out there who would just as soon horsewhip the lot of us. I think what a person finds arousing in erotic fiction is rooted in what John Money calls "lovemaps," which is just a highfalutin way of saying "different strokes [ha] for different folks."

Having said all that, I agree with you that KG is very near the top of TG fiction in terms of the generally-accepted criteria for literary quality. I would call it very competent genre fiction--which is NOT a form of damning with faint praise, but rather an acknowledgement that Wanda's work is written for an audience that, like audiences for stories about sword-and-sorcery, detectives, and cowboys, expects certain elements to be present. Sophisticated genre fiction can play with these expectations, as Wanda did with the "switched suitcases" cliche early in KG. But I think it's fair to say TG fiction readers expect dressing scenes just like detective fiction fans expect alibis to be phony. Anyway, given those conventions, Wanda's story has much more interesting plot, atmosphere, dialogue, characterization, and detail than is typical for the genre. And dressing scenes!

2. Wanda's research: In an earlier post, I mentioned using MapQuest to follow the locations in the story. Wanda's details, from Southern California geography to the workings of a humane killer, add verisimilitude to the story, even when unlikely things are happening. This research is time-consuming for an author, but it's more fun for the reader to read about "Triangle Square" than "the mall."

3. Kelly's gender identity: Based on the story so far, Kelly certainly fits the classic description of childhood gender dysphoria. However, my reading of the research literature is that there is no single guaranteed adult outcome of this condition. Children who show gender non-conformity can turn out all sorts of ways, so Kelly could too. As you say, he certainly could end up a heterosexual man, living primarily in a masculine role, who crossdresses for pleasure. Apparently, "like father, like son" would apply here. He could also wind up a transsexual woman, or any of a dozen other possibilities. Where he ends up, and how he gets there, is going to be up to Wanda. The one thing we can count on is that the journey will be eventful. In my opinion, one reason Wanda feels the need to write an alternative version of the story is because of the wide range of possibilities in Kelly's situation. No one outcome is "right," even based on the many details we've seen so far.

There's something about this story that makes analysis worthwhile, isn't there? And of course enjoyment, too.

avidreader




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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 24, 2004 - 02:27 AM
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It appears I never replied to this comment directly. ;> I
1. I've been writing TG fiction since the middle seventies I guess. I wrote a novel out longhand in several notebooks back then, but it has since disappeared. That novel bore some cursory resemblances to Ellen Hayes' Tuck as it involved an intersexed high school student. It was finding Tuck and seeing what could be done in TG fiction on the internet that inspired me to dig out another story I had started and turn that into Kelly Girl. By that time, I had read enough online TG fiction to have some fun playing with some of the standard themes.

2. I do scattershot research, mostly online. I did drive over to Triangle Square and walk around the place for awhile when writing those scenes. All of those descriptions were accurate at that time but it is a volatile mall with changing tenants. One other odd thing I did as research, hung around fast food joints listening to teens and pre-teens talk. Yikes. ;> I did NOT use much of that in Kelly Girl.

3. Kelly is transgendered, may be transexual but really isn't gender dysphoric in the usual sense. That's one thing I wanted to do with the story, play with that idea that the terms are not congruent, nor does one completely contain the other. I saw a similar theme in Tuck, with the added fillip that Tuck is apparently an intersex and therefore cannot be transexual or gender dysphoric by the medical/psychological definitions.

I love reading your thoughtful posts. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Admin on Feb 09, 2004 - 05:26 PM
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It's official, the comments are as long as this segment of the story. :)

- Erin



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by glavyril on Feb 09, 2004 - 07:28 PM
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Wanda,
First, I hope to become as polished a writer as yourself, and many others who appear here, someday.

I would really appreciate knowing "who and/or what" "Kelly Girl" is. I have reread these stories many times, but I have failed to grasp the concept of a "Kelly Girl".

I just do not understand a character who moves "geographically" by miles and "emotionally" by inches. "Kelly" is in this safe "netherworld" , rather a Peter-Panish safe thing. I personally would like to see "Kelly" take some control and make a choice.

I know, they are just stories! I have a personal bias here of course.:)

Wanda, whatever you write,I love and respect what you "do"!

My best wishes,
Gwen






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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 10, 2004 - 01:02 AM
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Gwen, your stories continue to delight me, you have a wicked sense of the absurd. I look forward to continuing to enjoy your development as a writer. ;>

As for Kelly Girl, well a Kelly Girl is a temporary worker, someone who comes in and does a job but may be gone on the morrow. That was part of the idea behind the whole story and I've never seen anyone comment on that. ;>

I've deliberately sustained the tension of whether KG will or will not make a decision, let alone what the decision might be. I'm going to continue that tension for at least another full book. LOL.

Remember, the bulk of this story takes place between Friday afternoon and Saturday evening, Kelly had very little time to really think through the situation. And Kelly is a cautious soul, courageous but not bold.

You or I might know how we would react in Kelly's situation but until Andie presented him with a new view of his situation, Kelly had never even thought gender COULD come with a question mark. <{{;>

I hope you continue to bear with Kelly, and I love your Peter Pan metaphor. ;> It's WAY relevant.

Thanks,
Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Feb 10, 2004 - 10:08 AM
Wanda-

The pun was obvious, but I confess the "temp" aspect escaped me, even though you said the story once was called "Daughter for Rent." I just Googled "kelly girl" and discovered it's officially been "Kelly Services" since 1966! That's even funnier, because it seems we're reading about Kelly "serving" as his mother over the phone, as a potential darling daughter for Harry, as a partner in crime for his father, etc. We'll see what "temp gigs" he gets in the next book; according to the company website, "every placement comes with the Kelly Guarantee."

In light of your last remark, check out www.stlyrics.com/lyrics/peterpan/iwontgrowup.htm. Second verse especially. LOL

avidreader


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 10, 2004 - 05:58 PM
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Yup. Peter Pan rocks, somewhere I had a start on an idea called, "The Island of Lost Girls". ;> It never went anywhere but maybe someday. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by glavyril on Feb 10, 2004 - 03:49 PM
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Wanda I very much enjoy the stories, and a good bit of my question results from being late to the series and trying to piece together so much fun stuff too quickly. Just knowing how firmly against your cheek your tongue is with the title and the time line helps me immensely. The KG stories are too well written and giving pleasure to too many people for it to be on your side, so I knew there must be a context and or perspective I hadn't put together that was keeping me from getting as much as I wished to and had to ask. Thanks to your gracious response I will have more fun as I read on!
Thanks,
Gwen


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Feb 10, 2004 - 06:00 PM
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You're welcome, Gwen. ;> And Joyce says she has several stories by you in the Q. I'm looking forward to them. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by OweenaCo on Mar 05, 2004 - 11:52 PM
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I have read many stories about transvestizm in children and this is one of the best.

I can relate to Kelly as I was also a transgendered child.

When I was little, being transgendered was thought of as being crazy and there was no where we could turn for help.

I could tell you stories about growing up wanting to be a girl and the hardships it has caused.



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Mar 08, 2004 - 01:24 PM
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I remember how it felt. And I for one would love to hear your stories. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Mar 23, 2004 - 03:33 AM
Whoosh! What a ride! Thanks Wanda, though now it's two in the morning and my neck hurts.

Great story, I don't know what to congratulate you on first. That the dialog never seems forced? That you switch back and forth between calling Kelly him and her and I can't figure out your logic but you're always right? That you kept all the plot threads you started moving and brought them to a neat conclusion?

I love the characters. I want to get my hair set in Andie's salon, I want to hold Kelly in my lap, I want to chew Amanda out and congratulate her on staying sober at the same time. I want to admire Barbie's new tits. I want to flirt with the Mann men.

I want to find out what happens next!

Kelly Girl Incognito, huh?

I'll be looking for it.

*******StarNext*



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on Mar 24, 2004 - 04:15 PM
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KGI is planned for August, after the Fairie King. ;>

Thanks for the nice comment. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Apr 01, 2004 - 05:35 PM
Love reading these kinds of stories, even though the ones I write are at the other end of the scale, and deal with adults.

I'm glad I didn't start on this one until it was finished though. Waiting for the next chapter can be excrutiating, like the Gabby or Tuck series.

Yet, then when I get to the end I see you are working on book 2, how mean {;>D

Donna Williams



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on May 01, 2004 - 04:11 PM
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Sorry about that, Donna. ;>

Glad you enjoyed Kelly Girl and I hope you read some of my other stuff, including my current serial, The Fairy King. KGI still looks like it will start in August or September, there's something called "The Princess Saga" that I'm collaborating with Tyrone on that has got in the way a little bit. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on Apr 30, 2004 - 11:47 AM
Wanda-

My browser doesn't get along with the Messages function on BC, so I'm using this method. I figure not too many people are reading the KG messages now, but that you probably still are.

I was just looking at the Clark County (Las Vegas) School District page, http://www.ccsd.net. I see that they require an original birth certificate, but only recommend submission of school records. They also require proof of residence. They mostly have K-5 and middle schools, then the high schools.

Of course, the reason I looked that up is I was thinking along with Barbie, Kelly, and you, about enrolling Kelly in school. I figure there's a sixty-forty chance that something hilariously unexpected will happen that first weekend in Vegas that will give Barbie a reason to enroll Kelly as a girl. Because Kelly Gaylen is gender-ambiguous, they could actually use his real birth certificate, either laughing off the obvious "error" under "Sex," or, as in many TG stories before, adding "fe." References to Kelly's gender in school records would be harder to censor, but it seems they aren't required. And they'd have the weekend (plus Labor Day?) to line up a place to live.

If he does pose as a girl in school, does he do it as a 12-year-old, dealing with PE and breast forms, or does he re-live as a girl an earlier grade which wasn't much fun for him as a boy? Sixth grade would still have middle school PE and the breast problem, but maybe fifth would work. The possibilities of both scenarios are interesting.

All this is moot, obviously, if you have him live as a boy in Vegas, sort of as a base for him to explore the "options" you've alluded to. But with your emphasis on research and verisimilitude, I figured you'd either already have checked all this out, or would be interested in the info.

I know I'm being hopelessly obsessive. But this kinda kills time and helps with the waiting!

avidreader



Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 1)
by Wanda on May 01, 2004 - 04:20 PM
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Hi A.R.,

I think it's fun that you did some research. And you're right, so did I. I'm going to do more with a Las Vegas trip sometime in June. LOL.

Many schools request a birth certificate but almost all will accept a student without one, "pending receipt". They will threaten to hold up records transfers without one but it's rare when they actually do this in most places. People move, things get lost and the kids need an education, most educators don't believe in bureaucracy uber alles. ;>

Whatever Kelly does, he's got Barbie, Harry and Andie to back him up. If Barbie can't charm her way through, and if Harry can't bluff his way through, Andie probably knows someone who knows someone who can make things easier. ;>

I hope we're all pleasantly surprised when KGI debuts in a couple of months. <{{;>

Wanda


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Re: Kelly Girl 24-"Dixie Cup Love" - 25-"Floop or Consequences" - 26-"Desert of My He (Score: 0)
by Guest Reader on May 03, 2004 - 09:12 AM
No doubt!

AR


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Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 1)
by pjladyfox on May 16, 2004 - 07:50 PM
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*she sits quiet for a moment as she gathers her thoughts. She takes a breath and sighs softly before beginning....*

Awesome story hun. Very, very good indeed. I would be lying however if I said I did'nt feel like someone had taken away something special to me. That semi-empty stunned feeling you get inside. I guess the only consolation I have at this point is that there seems to be more upon the horizon. That, and I'm glad you're not making this an easy ride to get thru.

In the meantime, I look forward to the next book or whatever you put your mind to write. I'll be there waiting to read it.



Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 1)
by Wanda on May 17, 2004 - 01:08 AM
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Thank you for all of your wonderful comments, PJ. ;>

I hope you'll be around to read KGI this coming August or September.

<{{;>
Wanda


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Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 1)
by ChrisW (redding96003@yahoo.com)
on May 17, 2004 - 01:56 AM
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I say! Wanda, Good show "what"!
Poor young Kelly is still at a lost.
With the way I read it you've left us hang around, "AGAIN" lol. Can't wait for BOOK 2
Thank You,
Chris W



Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 1)
by Wanda on May 17, 2004 - 07:51 PM
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I'm having trouble waiting for Book 2, too. ;> Several other irons in the fire right now or I would post a preview in the journals. Maybe in a month or so. ;> Thanks for the enthusiastic comment, Chris.

<{{;>
Wanda


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Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 0)
by Guest Reader on May 19, 2004 - 01:09 PM
Wanda-

A preview would be very generous of you, and surely much appreciated by your many fans. Careful not to burn yourself on those irons in the fire!

avidreader


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Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 1)
by dooey52 on Aug 27, 2004 - 02:15 PM
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Hi Wanda
I just got done reading all the chapters again and I have to say you are a truely talented writer. I loved Kelly-Girl. You are one of the few writers that I have re-read the complete story again just cause it was that good. Are you planning to write more chapters cause this could go along way with the way that you left it? Keep up the excellent writing.

JOhn



Re: Kelly Girl 24-Dixie Cup Love- 25-Floop or Consequences- 26-Desert of My Heart (Score: 1)
by Wanda on Aug 27, 2004 - 03:52 PM
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Thanks, John. Appreciative comments do encourage writers to continue stories. I do have more Kelly Girl planned, a second book called "Kelly Girl Incognito" and a sort of sideways retelling of the whole story called "The Incognito Parallel". Right now I'm trying to get the rewrite of the ending of "The Fairy King" finished, I should have three more chapters in proofing by this weekend. ;>

<{{;>
Wanda


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